Still, totally inaudible. In this video, I compare my top 2-4 channel audio interface picks: the Apollo Twin & the Apogee Duet 2. A version with onboard DSP effects is also available for roughly the same money. Apogee's helpful manual shows the Ensemble being connected to a Mac prior to being powered up, although it doesn't seem to explicitly warn against doing this the other way around, which is what I would normally do, as I'd leave the Ensemble in stand-alone mode when not connected. The only real issue I have with my Ensemble is that I can't use the thing at 88 or 96k without crashing. The 2015 and 2016 12″ MacBook, shown here, do not include a Thunderbolt port. The status LED also has the potential to illuminate in red if you're really unlucky, and this can happen if you plug the Ensemble into your computer and a successful connection can't be established. In terms of audio quality, you would expect the Ensemble to be of a high standard, and it certainly doesn't disappoint. This is great if you want to create different headphone mixes, for example. Apogee Software Download Links Current Products macOS/iOS Symphony Desktop | macOS Installers Duet | macOS/iOS Installers Quartet | macOS/iOS Installers ONE macOS/iOS Installers Symphony I/O Mk II | macOS Installers Ensemble | macOS Installers Element Series | macOS Installers Please note HypeMiC, MiC+, Jam+, ClipMic digital do not require software for operation. Symphony 32 is only supported up to Mac OS X 10.6.7 (not 10.6.8). Symphony 32 PCI is not supported with Symphony Release 4.2 or Mac OS Lion (10.7). For example, they've released a firmware update that allows the Ensemble to work as a stand-alone converter when not attached to a computer. Apogee ensemble vs. symphony Hi guys and gals, I have been trying to wrap my head around all of this and I am getting ready to update my studio on Friday that's 12-15-06 and I am really not sure of what I … So I contacted Guitar Center concerning acquiring the Ensemble or the Duet. I create my tracks primarily ITB, then add bass/gtr/vox overdubs and will never be recording more than a stereo pair at a time. And one of the headphone jacks went, even though I don't use them and plug into a dedicated headphone amp system (they worked during installation). When I was weighing the options, the Ensemble won over Symphony only because Apogee mentioned no plans for an Express card version of Symphony for laptops. Apogee Symphony Desktop: Finally..a Pro iOS interface? Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. I think this will become evident after the new year and these systems are more prevalent. Hey all, About to pull the trigger on either the Apollo x8 or the Apogee Symphony Mk2 and wondering if anyone has heard side by side comparisons or has any info on the differences between the convertor quality of the two interfaces seeing as the new Apollo line up have improved convertors. I track at 48k and export to 96. Even though I do 99% of my work at my desktop, I like the flexibility to be portable. If I get this thing in here and find out my G5 is holding it back, I'm going to be real pissed off. I was told that the Ensemble is heads and shoulders above the Duet. There's DSP on the card that deals with passing audio, sorry, maybe we shouldn't use the term DSP, I don't know. Question: Q: Apogee Ensemble -vs- Apogee Rosetta (200 or 800) I am in the market to purchase one of these interfaces. Logic Pro includes an Apogee Control Panel where you can access and store the Ensemble's settings directly from your Logic Project. Apogee’s Ensemble (Resolution V6.3). In this case your Mac will probably kernel panic and the Ensemble will go into stand-alone mode. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's settings within the application. I thought sound quality they would be the same. The only real problem I encountered when testing the Ensemble was when I decided to see if the record offset latency was handled correctly. For stereo, the output encoder controls the levels of the first two analogue outputs, whereas in 5.1 or 7.1 mode the encoder sets the level of either outputs 1-6 or 1-8 respectively. Session Notes: Recording Voiceovers At Sea, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs, Re: The All-New Behringer Keyboards 'n' Stuff Thread, Re: Centred mono signal appears to the left, The All-New Behringer Keyboards 'n' Stuff Thread, Low Watt Guitar Amp for Recording at Home. One area where the Fireface and Orpheus have a distinct advantage over the Ensemble is that they also offer Windows support, which could be important if you run Windows on your Mac via Boot Camp, or have additional Windows-based computers to which you'd like to attach a Firewire audio interface on occasion. https://www.gearslutz.com/board/showpost....7&postcount=50. Dual G5 2 ghz. Also, depending how serious you are, you're probably going to want an outboard mic pre anyways. At first glance the Symphony seems phenomenal (As I have always HATED latency and DREAM of tracking through plug-ins without stutters, clicks, pops, etc.) One thing to bear in mind, though, is that while Symphony and the Ensemble both make use of the Maestro software, certain Symphony features, such as the V-Bus routing, are not available on the Ensemble. This works the same way as it does with Apogee’s other interfaces (One, Duet, Quartet, Ensemble and Symphony I/O), where an Audio Devices row is added to the mixer’s channel strips — this is also available via an Inspector’s channel strip. You buy a card with that much DSP on it and with that high of a price tag, you're buying it to help support your computer's CPU, not rely on it. I hope you're wrong. Can I reduce latency when using Dante Via and Cubase? Matthew -- well I'm looking forward to your report. All four inputs have both XLR and high-Z (high impedance) TRS connectors, although the high-Z inputs for the first two channels are usefully located on the front of the Ensemble, which makes room for the additional send and return insert TRS connectors Apogee have provided for the first two channels on the back. The remaining four inputs (channels 5-8) support line-level signals via TRS connectors, and an additional eight TRS connectors provide eight analogue outputs. This means that you can easily recall whatever mic-pre settings you had for a given Project, by simply clicking the 'Recall Setup from Project' button in the Control Panel once you've loaded up a previous Project. If you're looking for some unquantifiable adjectives, I would say the converters maintain a good image, the bass frequencies sit well, and there's clarity in the high end. The Ensemble brings Apogee's hardware and software technologies to an easy-to-use, high-quality Firewire audio interface. I just ordered a symphony set up mostly because of the latency specs. However, this isn't a big deal, since most native audio applications, such as Logic Pro 8 and Cubase/Nuendo 4.1, are now able to support this style of routing (where audio buses can be used as the inputs to audio tracks) without hardware assistance. From what I understand Symphony does this. I have a FireFace and was considering moving up to an Ensemble until it appeared that that would be more of a move sideways than up, and a bumpy move at that. While this is functionally no different to using Maestro in conjunction with any audio application, the neat thing is that the settings for the Apogee Control Panel in Logic are stored with your Project. The views expressed are those of the contributors and not necessarily those of the publishers. I found that having a kernel panic when connecting the Ensemble was not a completely uncommon occurrence with my MacBook Pro running Mac OS 10.5.2, although I admittedly don't restart the computer that often and usually have quite a number of applications open. The first eight of these can show either the level of the analogue inputs or outputs, while the last two are labelled D1 and D2, and show the presence of signal in either the coaxial or optical digital I/O respectively. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. I am aware that the conversion quality is supposed to have better numbers in the Symphony. Unlike those found in the Ensemble Thunderbolt and other lowlier Apogee interfaces, the Symphony I/O’s preamps apparently use fully differential … The new drivers for symphony really bump it up nicely. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. When you adjust the volume using the Mac keyboard or the menu bar extra icon, you're then actually adjusting the Main volume on the Ensemble, and the Ensemble's output-level LED ring on the main output stays in sync with your Mac. Gearslutz.com - View Single Post - Symphony drivers with 2ms Latency. Beginnen wir ausnahmsweise mal mit den Features für Gitarristen. Question: Q: Apogee Ensemble vs Apogee Duet. Symphony I/O Mk II Thunderbolt. Apogee says that the design of the power regulators borrows custom elements from the flagship Symphony system [Tape Op #87, #99] (more details on that are available on their site). I betting that if or when Ensemble's development achieves the performance which the designers sought to achieve, the disparity in software monitoring latency between Symphony and Ensemble setups will be miniscule. A feature unique to Symphony is the ability to create virtual buses (VBus) within the architecture. Austrian Audio OC818 Dual Set Plus microphones. A typical use-case: You have 2 Symphony I/Os connected to one Mac and both are showing up in Apogee Maestro. Ensemble Thunderbolt™ is the best sounding all-in-one audio recording interface for Mac. There is no internal fan, so Ensemble is dead quiet, with only a tiny "click" when switching inputs. IMO if you want to go above the prosumer level you gotta go with the symphony and a rosetta. A 'line out' mode is also available, which effectively disables the main output volume functionality and makes the eight analogue outputs behave as independent line outputs. To get started, simply install the Ensemble's software — although, as always, it's probably a good idea to make sure you download the latest version from Apogee's web site, rather than using any supplied versions. The front panel is clearly laid out and features 10 plasma-style meters. Apogee's Director of Technical Services, Roger Robindoré, replied that "Apogee and Apple are aware of the issue, and have been working together to resolve it.". There are also two quarter-inch headphone jacks on the front panel, and, as with the input encoder, pressing the output encoder allows you to set whether you're adjusting the level for the Main output, or one of the headphone outputs (as indicated by another set of blue LEDs). Therefore, the advantage of stepping up to Symphony will be 1) the i/o throughput capabilities even at high sample rates 2) the higher quality AD/DA, and 3) Simply, the ability to have connected 96 channels of conversion, reliably, on a native system. Good luck!! (Review) - Duration: 10:06. iPad Beat Making 1,551 views. Current Price & More Info https://amzn.to/2taMLVF Apogee Ensemble Thunderbolt 2 - Is One Of The Best Audio Interface Of 2020! If you need pres on a budget, get something like the Mackie onyx (the 8pre rackmount one) or something equivalent like the presonus digimax fs. Finally, Metric Halo's Mobile I/O 2882 is a bit cheaper, but is the oldest of the interfaces and doesn't support 176.4/192kHz sample rates. There's also a corresponding set of red LEDs to show whether phantom power is enabled on each of the four mic pres, although the power itself needs to be turned on or off remotely from the host computer. Thanks for all the feed back!!! In threads that I read, Max from Apogee said that they also tested on a dual 2.0ghz G5 (which is what i have) and that the latency figures were similar -- a little higher, I think i remember something in the 2.8 range as opposed to 1.6. Despite this, the Apogee Symphony Desktop boasts a slightly larger dynamic range (129dB) and mic preamp gain (75dB). Symphony Control: Clicking on Insert Labels resets unit and blanks or crashes; Logic 10.5.1: Channel strip not fully functional can’t select Inst, -10 and High shelf is grayed out; Clock source is not properly indicated in Symphony Control; Ensemble and Element Series Otherwise I wouldn't be going this route. They'll be good enough to do high quality audio, and you can add the boutique pres later on. The Symphony MkII’s preamp controls as they appear in Logic Pro X. Get the Symphony/Rosetta 800 and be done with it. Eine komplette Zusammenstellung aller Features findest Du indes im Infokasten. A second point on which the Fireface and Orpheus score is that both offer a MIDI input and output port as well. Maestro features full Ensemble functionality control, multiple low-latency mixers, hardware control panels and an input/output routing matrix compatible with Rosetta 800, Rosetta 200, AD-16X and DA-16X. I'd say it all comes down to cash at this point, mon ami. Output settings such as speaker set selection, mute, dim, sum to mono Complete input/output control with Apogee Control software Works with Pro Tools, Logic, … The rear panel sports sockets for the Ensemble's eight analogue inputs and outputs, along with connections for ADAT and S/PDIF, word clock and Firewire. In terms of audio, the Ensemble has eight analogue inputs, and the first four can accept either a line- or mic-level signal, thanks to the built-in preamps. Pressing and holding the encoder again will release the mute. I know it wasn't *the same*, but I know the latency was still quite low and quite impressive. Obviously, this is physically impossible, so I contacted Apogee's technical support to see what was going on. Legacy Apogee interfaces donʼt include Loop clock functionality (as found on Symphony I/O). This changed at the 2006 NAMM show, when Apogee announced Symphony, a PCI-based system for handling a large amount of I/O with low latency via the company's AD16X, DA16X and Rosetta-series converters, and Ensemble, Apogee's entry into the Firewire audio interface market. I think I used to be more about the bleeding edge. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. As I said before, both devices are very similar when it comes to hardware. How to Record Acoustic Guitar and Vocals at the Same Time Februar 17, 2016 - 1:02 pm; Hear More Goosebumps (Featuring Harrison Kipner) November 18, 2015 - 12:12 pm Apogee and Waves Offer up to 60% off Popular Waves Plugins November 3, 2015 - 12:33 pm The Ensemble is designed to work exclusively with Mac computers, and, as such, has a brushed-metal appearance that sits quite happily alongside a Mac Pro, Cinema Display, iMac, or MacBook Pro. According to Apogee, the majority of Ensemble users don't experience this issue, but Apogee are aware of it and are working with Apple to find a resolution. Everything I read about it (and after having talked with Apogee tech supp) suggests that having a Mac Pro is vital. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's … The Ensemble goes into standby mode when it's connected to a power source, and, perhaps unsurprisingly, pressing the power button on the front panel powers up the unit for operation. If its feature set is what you're looking for, Ensemble is an ideal centrepiece for any Mac-based desktop or mobile studio, especially if you're using Logic Pro. In diesem Test erfährst Du alles Bemerkenswerte in Sachen In- und Outputs des Apogee Ensemble Thunderbolt. For example, headphone port one could be set to the output of analogue outs 1 and 2, while port two is set to 3 and 4. You've narrowed down the pros and cons pretty good, and now you have to decide what you want to spend. Once successfully connected, you can set the Ensemble to be the default audio input and output for your Mac in either Audio MIDI Setup or the Sound System Preferences Panel. The mic preamps are equally impressive. Apogee is announcing a number of new products at NAMM 2020 including the Symphony Desktop 10x14 Audio Interface, Symphony I/O Mk II Connect Series, Apogee Network Control Software for Symphony I/O Mk II Dante, Rent-To-Own Apogee FX Plugins as well as Apogee FX Rack Dual-Path V1.0 for Element Series and Ensemble Thunderbolt software now being available. I think this will become evident after the new year and these systems are more prevalent. This would have made the unit look a little more at home on your desk, if it's not in a rack, and stop it from snagging on a bag when being packed up for mobile usage. The rear panel sports sockets for the Ensemble's eight analogue inputs and outputs, along with connections for ADAT and S/PDIF, word clock and Firewire.Photo: Mike CameronSpeaking of mobile usage, while the Ensemble has a built-in power supply with a standard IEC connection, last October Apogee introduced the Ensemble Mobile, which is functionally identical to the regular Ensemble in all respects, except that it lacks the built-in AC power supply. The 1U enclosure is about the same size as an AD16X or DA16X converter, and although this is a really minor point, I wish Apogee had made the rack ears removable (as with other interfaces such as the RME Fireface 800 or Prism Orpheus). Apollo x8 vs Apogee Symphony?? ? Monster Studio Pro 1000 cable pretty much in and out of everything. Pressing and holding the output encoder for a few moments will mute the Main and headphone outputs, and the LED to represent whichever output was selected will start flashing to indicate the mute status. The output encoder sets the level for the main output, and a really nice touch is that the Ensemble's software (see the 'Maestro' box) lets you configure whether the Main output is stereo, 5.1, or 7.1. Again, this might not be important to you, and Apogee's focus is clearly on providing best-in-class audio functionality; but it does seem a shame that for mobile use you may need to pack a MIDI interface alongside the Ensemble. Thus you will find exactly the same roundtrip latency time on Elements as Ensemble Thunderbolt, regardless of Thunderbolt 1 vs 2. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. How low can you set your buffers with a good dose of plug-in, VIs, etc.? Built-in monitoring capabilities that are surround capable. Instead, the Mobile features an XLR4 port so that it can easily be connected to a DC power source, and is conveniently supplied with an external AC to DC power supply having a regular IEC connection for when you're not in the field. PASSENDE NEWS. Win! Up to 32 buses can be created per Symphony card, and these allow the transport of audio between Core Audio applications, or even within applications. USB Mics - We Figured Out Which One You Should Buy? Apogee Symphony Desktop vs UAD Apollo Twin X Specifications. While this is a somewhat pedantic point in respect of what is a pretty well-designed front panel (especially the colour-coding of the LEDs), I really wish it was possible to configure the Main output encoder to mute on a simple press, rather than a simple press switching the selected output for level adjustment. I/Os connected to One Mac and both are showing up in Apogee Maestro overdubs... 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